About.
Maghalie Dooms is an experienced designer, stylist and consultant specializing in contemporary yet timeless aesthetics for high-end brands. Her work is shaped by a fascination with materials and techniques, coupled with a love of aesthetic imagery.
The creative foundation of her work comprises a vast archive of visual, tangible, cognitive, and auditory elements. With expertise in concept development, trend and material research, she creates harmonious color, material, and form compositions through both digital and physical moodboards. Maghalie designs interior products and B2B concepts that elevate brand identity and showcase products innovatively.
Styling.
Maghalie oversees photoshoots, collaborating closely with photographers to deliver powerful visual presentations, including location scouting and product styling. Focused on innovation, she advises on marketing and branding strategies to enhance brand experiences while providing valuable feedback during product development to ensure quality and exclusivity. The end result becomes an incremental addition to her ever-expanding archive, broadening the imaginative foundation for future visions.
Design.
In the initial phases of the design process, she experiments by drawing from sensory memory, combining a broad variety of materials and techniques—from artisanal handwork to industrial production processes—to develop materializing concepts. As prototypes evolve, continuous improvement remains key; the mind, hand, and machine are pushed to their limits in an effort to replicate the mental image that ignited her creative spark.
Consultancy.
In the initial phases of the design process, she experiments by drawing from sensory memory, combining a broad variety of materials and techniques—from artisanal handwork to industrial production processes—to develop materializing concepts. As prototypes evolve, continuous improvement remains key; the mind, hand, and machine are pushed to their limits in an effort to replicate the mental image that ignited her creative spark.
